Rock stars are notorious for their late mornings, but Boy George, the iconic singer-songwriter of Culture Club fame, breaks this stereotype. With a laugh, he quips, “I’m not really rock ‘n’ roll. I’m more frock ‘n’ roll.”
Currently, Boy George takes on the role of the impresario in the Tony Award-winning musical “Moulin Rouge” until May 12. This stage adaptation of Baz Luhrmann’s 2001 film features pop tunes from artists like Katy Perry, the Rolling Stones, and Elton John, seamlessly blending theatrical and pop music.
Reflecting on his return to Broadway after his stint in “Taboo” in 2004, Boy George notes the stark differences. As an integral part of “Moulin Rouge,” he revels in the autonomy and dynamism of his role, describing the experience as being at the helm of a well-oiled theatrical machine.
While acknowledging his hits like “Karma Chameleon” and “Do You Really Want to Hurt Me,” Boy George admits that if given a choice, he might select different songs to define his career. Yet, he finds joy in contributing to the exuberance of “Moulin Rouge,” recognizing that the production thrives even without his involvement.
Boy George’s passion for music and exploration shines through as he discusses his inspirations and creative process. He emphasizes the importance of delving beyond mainstream hits and discovering hidden gems, a practice he continues to embrace.
Drawing from diverse influences like Nina Simone and David Bowie, Boy George emphasizes the blend of styles and eras in his music. He highlights the creative process as a continuous exploration, likening it to rummaging through a pantry of ideas to concoct something unique.
Describing himself as prolific, Boy George attributes his songwriting prowess to consistent practice. He dismisses the notion of writer’s block, stressing that the possibilities within language are boundless.
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Reflecting on personal growth, Boy George acknowledges a shift in his mindset over the years. Once perceived as stubborn and opinionated, he now embraces the idea of evolving perspectives and welcomes the joy of being proven wrong.
